Candace Huey is an interdisciplinary curator and art historian with over fifteen years of experience conceptualizing and implementing arts programming around the globe. She founded re.riddle, a contemporary art gallery that showcases the work of international artists. Candace has worked for the Fine Arts Museums of San Francisco, Bonham's auction house, Alameda County Arts Commission, and various art galleries in the Bay Area. Candace holds degrees in Art History from The Courtauld in London and U.C. Berkeley, and has presented her academic research on seventeenth-century Dutch Art throughout the United States and the Netherlands. Most recently, she was full-time faculty teaching graduate and undergraduate Art History courses at a private university. Candace is co-chair of SECA Council at SFMOMA, Northern California Chapter Leadership Committee of ArtTable, board member of SFADA, and active supporter of Headlands Center for the Arts and Berkeley Art Museum Pacific Film Archive.

 

許君瑜是一位具備跨學科藝術知識的策展人和藝術歷史學家，在全球各地構思和推行藝術計劃逾 15 年。她創辦當代藝術畫廊 “re.riddle”，專門展示國際藝術家的作品。許君瑜曾在三藩市藝術館、Bonham拍賣行、Alameda縣藝術委員會以及灣區多家藝廊工作。她擁有倫敦考陶德學院（Courtauld）及加州大學柏克萊分校的藝術歷史學學位，並發表了她對十七世紀的荷蘭藝術如何影響美國和荷蘭的學術研究。最近，她在一所私立大學擔任全職教師，教授研究生和本科生藝術歷史課程。 許君瑜身兼多項與藝術相關的要職，她是三藩市現代藝術博物館（SFMOMA） SECA 理事會的聯合主席、ArtTable 北加州分會領導委員會成員、三藩市藝術代理人協會（SFADA）董事會成員，並大力支持 Headlands 藝術中心以及柏克萊大學藝術博物館太平洋電影檔案館的工作。

 

Taraneh Hemami works with materials of history, organizing archives of images, data and information, weaving complementary and contradictory narratives that are manifested in objects, installations and public works as well as experimental collective, collaborative and curatorial projects. Her works examine the careful crafting of images as propagated for power and political gain, the manipulations of truth and historical facts, and the fictionalized realities that have infiltrated our everyday lives. Hemami has received awards from the Creative Capital, Creative Work Fund, Center for Cultural Innovation, California Council for the Humanities, San Francisco Arts Commission, Kala Art Institute, Fleishhacker Foundation,  and Zellerbach Foundation. Her works have been exhibited widely including at the Yerba Buena Center for the Arts, Montalvo Arts Center, Southern Exposure, Victoria and Albert Museum, Pergamon Museum, Boghossian Foundation, and at the Sharjah International Biennial. She is the founder of Makaan Residency and teaches at the California College of the Arts (CCA) in San Francisco.

 

Taraneh Hemami 的工作圍繞歷史材料，透過整理圖像檔案、數據和資料，交織出互補而又矛盾的故事，並以物件、裝置、公共項目和實驗合作社、協作及策展計劃的方式呈現。她的作品審視為權力和政治利益而精心雕琢的圖像；對真相和史實的操弄；和滲透日常生活的、虛構的多重現實。Hemami 獲獎無數，包括：Creative Capital、Creative Work Fund、文化創新中心、加州人文委員會、三藩市藝術委員會、Kala 藝術學院、Fleishhacker 基金會，以及 Zellerbach基金會。其作品獲廣泛展出，包括芳草地藝術中心、Montalvo藝術中心、Southern Exposure、維多利亞與亞伯特博物館、佩加蒙博物館、Boghossian 基金會，以及沙迦國際雙年展。她創辦了 Makaan 駐場計劃，現於三藩市的加州藝術學院（CCA）任教。

 

Theodore Lau is a curator, writer, and artist from San Jose, California. They are Galleries Program Associate at the San Francisco Arts Commission, and have held positions at Tina Kim Gallery, the Museum of Modern Art, New York, CCA Wattis Institute for Contemporary Art, KADIST San Francisco, and the Institute of Contemporary Art, San Jose. Theo has worked on projects with artists including Pacita Abad, Raven Chacon, Jeffrey Gibson, Xandra Ibarra, Mire Lee, Minouk Lim, Astria Suparak, Carlos Villa, and Cecilia Vicuña, and produced presentations for the 59th International Art Exhibition of La Biennale di Venezia and the 58th Carnegie International. They are currently researching antagonism as critical practice, and are working on an oral history with early 2000's ABG's. Theo graduated with honors from Brown University.  

Theodore Lau 是策展人、作家和藝術家，來自加州聖荷西。他們現職三藩市藝術委員會的畫廊項目專員，此前曾任職於 Tina Kim Gallery、紐約現代藝術博物館、CCA Wattis 當代藝術學院、KADIST San Francisco，以及聖荷西當代藝術學院。Theo 曾就不同項目與下列藝術家共事，包括：Pacita Abad、Raven Chacon、Jeffrey Gibson、Xandra Ibarra、Mire Lee、Minouk Lim、Astria Suparak、Carlos Villa 及 Cecilia Vicuña，並參與第 59 屆威尼斯國際美術雙年展以及第 58 屆卡內基國際藝術展的展覽策劃工作。他們現正著手研究對抗作為批判的課題， 和製作千禧年代初期的亞裔甜心辣妹（ABG）口述歷史。Theo 於布朗大學榮譽畢業。